Lauren Morrow

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It’s Not Too Late

2020 is shaping up to be a year for the ages, and perhaps, the sort of revolutionary year Markeith Wiley longed for when he created and performed It’s Not Too Late at Seattle’s On the Boards in 2016. Framed as a late night talk show cum protest, the multidisciplinary show featured the recurring image of Wiley reaching desperately through a hole of floating light in black space, in turns holding his breath and silently screaming, only to be pulled back into the blackness by a faceless dark figure.