Chloe Gracias
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Predator Songstress Reveals the B Side Cuts that Accompany Social Justice Battles
A woman clad in a blue dress and white go-go boots bounds for the edge of the woods; blind to the soldiers that follow, blind to the shackled sisterhood that she has left within the stone ruins, listening only for the sound of her own lost voice. In 2014, Seattle-based collective Degenerate Art Ensemble (DAE) asked the audience of On the Boards (Seattle, WA) to experience the price that comes with using one’s voice to amplify the voiceless.